Die Bühne wächst Live-Hörspiel im Rahmen der Ausstellung NEU IN DER MAERZ
Die Bühne wächst
Live-Hörspiel im Rahmen der Ausstellung NEU IN DER MAERZ
Text und Stimme: Mathias Müller
Arrangement und Stimme: Sebastian Six
Bühne, Szenenbeschreibung, Dialog. Die Form wird Szene für Szene wiederholt. Immer härter wird die Wiederholung, immer unausweichlicher fühlt sich die Struktur und die Ordnung an, wie die Bühne, auf der alles seine Ordnung hat. Aber auch in der Wiederholung sind schon Risse zu spüren, Sprünge und Aufblitzen von Widerstand. Vor allem in den Dialogen, in denen oft die Bühnenarbeiter*innen zu Wort kommen, die an die Möglichkeit eines anderen Theaters glauben. Auch wenn das bedeuten würde, die Bühne niederzureißen. Die Proben unterbrechen die Wiederholung immer öfters, aber vielleicht wird kein neues Stück, sondern der Aufstand geprobt.
Sebastian Six und Mathias Müller werden in der MAERZ den Text „Die Bühne wächst“ zum ersten Mal als Live-Hörspiel präsentieren.
Mathias Müller, Autor und Übersetzer, ist 1988 in Bludenz geboren und lebt seit seinem Studium der Komparatistik in Wien. Müller ist Teil des Ilse-Aichinger-Hauses und des von Peter Waterhouse initiierten Übersetzer*innenkollektivs Versatorium (u.a. Charles Bernstein, Rosmarie Waldrop). Birnengasse – seine erste Einzelveröffentlichung – wird gerade ins Norwegische übersetzt.
ELEMENTAREREIGNISSE
To commemorate their jubilee anniversary in 2022, the University of Natural Resources and Life Sciences (BOKU) will focus on the coming 150 years, i.e. they will look ahead to the long term. BOKU’s research into sustainability, resource management and the preservation and protection of the environment and our quality of life forms the starting point for the program series Elementarereignisse.
This artistic concept of the bb15 curatorial team, which will be realised on the occasion of BOKU’s anniversary year on behalf of BIG ART, revolves around the concepts of disruption, blockage and disaster. Three temporary artistic interventions will be implemented on the university campus. These elementary events are intended to create irritations within everyday structures, thereby generating attention around BOKU’s socially relevant research interests.
The opening of the temporary interventions will take place on Monday, 23 May 2022, 13:00 at the BOKU Campus (Wilhelm-Exner-Haus, Peter-Jordan-Straße 82, 1180 Wien). We will keep you informed about further dates and events under News and on social media!
m Jubiläumsjahr 2022 wird die Universität für Bodenkultur ihren Blick vorrangig auf die kommenden 150 Jahre richten, also nachhaltig vorausschauen. Die Forschung der BOKU in den Bereichen Nachhaltigkeit, Ressourcenmanagement sowie Erhalt und Schutz unserer Umwelt und Lebensqualität bildet den inhaltlichen Ausgangspunkt für die Programmreihe Elementarereignisse.
Das künstlerische Konzept des Kurator*innenteams bb15, das anlässlich des Jubiläumsjahres der BOKU im Auftrag von BIG ART realisiert wird, kreist dabei um die Begriffe Störung, Blockade und Desaster. Drei temporäre künstlerische Interventionen werden am Gelände der Universität umgesetzt. Diese Elementarereignisse schaffen Irritation im alltäglichen Gefüge und generieren dadurch Aufmerksamkeit für die gesellschaftlich relevanten Forschungsgebiete der BOKU.
Am Montag, 23. Mai 2022 werden die temporären Interventionen eröffnet, über weitere Termine und Events halten wir Sie unter News und auf social media informiert!
Crossing Europe LOCAL ARTISTS Shorts | 8.10.20
Local Artists Shorts im OÖ Kulturquartier in Kooperation mit OÖ Landes-Kultur GmbH
8. bis 10. Oktober | Ursulinensaal im OÖ Kulturquartier
Jahr für Jahr bietet die Local Artists-Schiene einen ansprechenden Überblick über das aktuelle oberösterreichische Filmschaffen. Aus diesem Grund macht Crossing Europe im Oktober mit seinem Alternativprogramm EXTRACTS für drei Tage Halt im OÖ Kulturquartier, um heimischen Kurzfilmregisseur*innen ein Forum zu bieten. Erneut überzeugen die Local Artists mit innovativen Experimentalfilmen, coolen Musikvideos, kreativen Animationsarbeiten, dokumentarischen Perlen und neuen Erzählformen im fiktionalen Bereich. Das vorliegende Programm mit 51 Kurzfilmen rückt sowohl frische Stimmen als arrivierte Filmkünstler*innen ins Rampenlicht. So darf sich das Publikum auf drei inspirierende Tage mit Premierenfeeling, ausführlichen Filmgesprächen und einer Preisverleihung freuen.
Im Rahmen der Preisverleihung am 10. Oktober (20:30 Uhr | Eintritt frei!) werden zwei Festivalpreise vergeben: CROSSING EUROPE Innovative Award – Local Artist (€ 3.500,- powered by OÖ Landes-Kultur GmbH) und CREATIVE REGION MUSIC VIDEO Award (€ 1.500,- powered by CREATIVE REGION Linz & Upper Austria).
Hier die Mitglieder der Jury Local Artist, die auch vor Ort in Linz anwesend sein werden: Anna Ladinig (Festivaldirektorin IFFI – Int. Film Festival Innsbruck), Anna Prischl (Ko-Intendantin Int. Jugend Medien Festival YOUKI, Wels) und Siniša Vidović (Produzent und Regisseur).
Besides the Screen Festival 2020
I’m happy that our Film Persistent Disturbance is Part of the Besides the Screen Festival 2020 unfortunately only as stream.
The main aim of the Besides the Screen Network is to reconfigure the field of screen studies by refocusing it on those objects, processes and practices that exist besides the screen. Thus, the area of enquiry is broad and aims to bring together questions regarding institutional processes of distribution, marketing and exhibition within enquiries into practices of projection, archiving and curating with new methods of research such as media archaeology. Thus, the aim is to open film and screen studies up to new methods and objects, as well as intensifying the dialogue with other disciplines and practices. In doing so, the Besides the Screen network attempts to understand the continuing transformation of audiovisual media practices. Through workshops, symposia and conference sessions the network will forge links between academics, artists and professionals to refocus film and screen studies on those objects and practices that exist besides the Screen
The project aims to explore the shifting practices and cultures of different forms and events of cinema that exist beside and between screens. In particular it intends to break and reframe the traditional understanding of cinema as collective experience and its institutionalized framework of distributing, displaying and working with images that move. In a constant ever-changing field of audiovisual practices, the network aims to create a new area of research that expands upon and sheds light on processes largely ignored from traditional film and screen studies. The project intends to explore new threads of connections, debate and collaborations within a network of participants, such as students, academics, artists, media labs, and cultural institutions.
The project is co-ordinated by Virginia Crisp (King’s College London) and Gabriel Menotti (UFES, Brazil). It has been supported by the AHRC-UK, Capes, CNPq, and FAPES.
Programm:
All screenings begin 11am CDMX – 12am New York – 1pm Vitória / São Paulo – 5pm London / Porto – 6pm Berlin and loop for about eight hours – WATCH ON YOUTUBE
Sab Sat 01 Ago – Abertura: Trace Evidence (Susan Schuppli, Reino Unido, 52’)
Ter Tue 04 Ago – Plano Diretor | Building Authorities (33’) – Watch on YouTube
Lignano Pineta (Anna Dabrowska, Itália/Holanda, 2020), A Cristalização de Brasília (Guerreiro do Divino Amor, Brasil, 2019), Just Like Us (Jesse Mclean, EUA, 2013)
Qui Thu 06 Ago – Cidades / Fantasma | Ghost / Towns (57’) – Watch on YouTube
Kopacabana (Khalil Charif e Marcos Bonisson, Brasil, 2019), Earthsatz (Dylan Cote & Pierre Lafanechère, France, 2019), Serial Parallels (Max Hattler, Hong Kong, 2019), Spectrum (Jeroen Cluckers, Bélgica, 2019), Triptych (Sergey Maslov, Rússia, 2020), Mei’ei (Ghost World IV) (Jerome Boulbes, Japão, 2019), Abstract Horror (Franz Milec, República Checa, 2019)
Ter Tue 11 Ago – O Esgotamento do Pólo Emissor | Sender Unavailable (50’) – Watch on YouTube
She Can Run, She Can Hide (Victoria Vanderpool, EUA, 2020), The Philosophy of Horror (Part I): Etymology (Péter Lichter, Hungria, 2019), CAN’T ANSWER YOU ANY MORE (ON FACES) (Matt Whitman, EUA, 2019), On clear day you can see forever (Ian Haig, Australia, 2019), swiping compressed filtered love (et enfin, permettre l’incontrôlable) (Marie-Eve Levasseur, Canada, 2019), Even Asteroids Are Not Alone (Jón Bjarki Magnússon, Islândia, 2018)
Qui Thu 13 Ago – Há Mundo em Abundância | There is World a Plenty (57’30) – Watch on YouTube
Breakdown (Daren Kendall, EUA, 2020), Persistent Disturbance (Laurien Bachmann & Sebastian Six, Áustria, 2019), Two (Vasilios Papaioannu, EUA, 2018), Al Bahr (Fairuz Ghammam, Tunisia, 2018), 18 (Mikhail Zheleznikov, Russia, 2019)
Ter Tue 18 Ago – Busca de Imagem Reversa | Reverse Image Search (58’30) – Watch on YouTube
Power Trip (Christopher Boulton, EUA, 2018), Reproduction Interdite (Johannes Binotto, Suiça, 2019), Hard (Luksuz Produkcija, Eslovênia, 2019), Which Image (Carla Miguelote, Brasil, 2018), Recoding Art (Bruno Moreschi e Gabriel Pereira, Holanda, 2019), Cirkut/Canadettes (Sara Angelucci, Canadá, 2019)
Qui Thu 20 Ago – Arquivos Nacionais | National Archives (56’) – Watch on YouTube
Searching for the Perfect Gentleman – an investigative journey (Lena Windisch, Alemanha, 2019), 2006 The Only Year That I Remember (Alberto Van den Eynde, Espanha, 2019), At Home But Not At Home (Suneil Sanzgiri, India, 2019), We Love Me (Naween Noppakun, Tailândia, 2017), 7FF On¢idia (Ж, Brasil, 2017)
Ter Tue 25 Ago – Swallowing Time (33’) – curated by Doreen Rios – Watch on YouTube
IWantToBeACyborg (Fabiola Larios, México, 2019), En lo Virtual (Fabiola Larios, México, 2018), EXIsT (Mónica Delori, México, 2016), O rio escapa (Eduardo Makoszay Mayén, México / Brasil, 2019), Sueño de casa (Amauta García, México, 2018), Terra Incognita (Juan Covelli, Colômbia, 2019)
Qui Thu 27 Ago – Natureza Inquieta | Restless Matter (57’) – Watch on YouTube
Primitive Geometry (Alper Durmaz, Turquia, 2018), Skinned (Francesca Fini, 2018), Pesste (Federico Lamas, Argentina, 2019), Violent Equation (Vassilis Konstandopoulos, Grécia, 2019), The Gods of Tiny Things (Deborah Kelly, Australia, 2019), .MP4 (Kadavre Exquis, França, 2019), Angklung Life (Michael Vasquez, USA, 2020) Loor-Leigh Woods (Theo Scott, Reino Unido, 2019), Obstacle (Arnaud Laffond, França, 2016), The FlatNet (Mikhail Maksimov, Russia, 2020)
Oscillation – Mayday Radio Marathon 30.4. – 2.5.2020
I’m happy to announce that a Faxen piece will be played at the Oscillation – Mayday Radio Marathon. Our piece Firedrake (radio edit) will be streamed on Saturday May 2nd 2020 at 11:45am!
Bregenz Biennale 2018 | Brezenz/AT | Summer 2018
Bregenz Biennale 2018
THE MAP IS THE TERRITORY
End of September, Beginning of August
(Bregenz, Austria)
featuring forty-nine site-specific invisible interventions by
Lina Aušra, Francisco Babo, Luan Bajraktari, Samuel Bich, Simone Borghi, Elena Borghi, Godomira Buroskwy, Sophie Chérot, Kevin Desbouis, Damien Dion, Victoria Durnak, Jona Einarson, Stefano Faoro, FAXEN, Romain Gandolphe, Steve Giasson, Akba Gurundi, Token Black Guy, Tim Hartmann, Stefanie Heine, Robert Huber, Florence Jung, Fatmir Mustafa Karlo, Stefan Klein, Marika Konstantinidou, Mikko Kuorinki, Sophie Lingg, Mmmmmegumi, José Oliveira, Will Owen, Alice Pamuk, Philipp Preuss, Anahita Rahzmi, Christopher Richmond, Valentine Ridde, Karl Salzmann, Marco Schröder, Liv Schulman, Driton Selmani, Lena Sieder-Semlitsch, Semino Spataro, Martin Sturm, Andreas Trobollowitsch, Emmanuel Troy, Salvatore Viviano, Robin Waart, Dimitri Waschkov,Noboru Watanabe, Bernhard Weber
Kuratiert von
Albert Allgaier & Sophie Lapalu
Graphic Design
BUERO LENA
Exhibition Design
gruppe uno wien
Exhibition Guide
published by
Mark Pezinger Verlag
Distribution Partner
(exclusively)
Milchpilz Bregenz
Kindly Supported by
Bundeskanzleramt Österreich
Land Vorarlberg Kultur
Verein BregenzBiennale
Neue Schanze 15
6900 Bregenz
More:
http://www.bb18.at/
Zentrale.Jetzt | Vienna/AT | 3.2.2018
I´m doing a little concert at Zentrale in Vienna
Saturday 3th January 2018 19:00
More here:
http://zentrale.jetzt/
https://www.facebook.com/events/268745940324879/
ZeitEins Happening | Altenhof/AT | 5.9.2017
Kunst auf Augenhöhe
Assista lädt am 28. September zu einem Happening der besonderen Art. Auf die BesucherInnen wartet ein bunter Mix aus bildender und darstellender Kunst mit Überraschungseffekt.
„ZeitEins“ heißt die Aktion mit den KünstlerInnen der Assista Kreativwerkstätten, dem Zeichner und Sounddesigner David Lipp, dem Multimedia-Artist Sebastian Six sowie dem Theaterkollektiv Iriden.
Für diesen Tag werden Teile von Assista in einen Ausstellungsraum verwandelt. Angelegt ist diese Veranstaltung als Happening. Eine Art der Aktionskunst, in der künstlerische, visuelle, theatralische und auditive Formen vermischt werden. Das Besondere dabei: Das Publikum spielt ebenfalls eine wichtige Rolle und wird vom reinen Betrachter selbst zum Teil des Gesamtwerkes. So erklingt plötzliche Live-Musik aus dem Fahrstuhl oder beginnt eine spontane Theaterperformance im Stiegenhaus: Nach jeder Ecke könnte eine neue Überraschung lauern.
Gezeigt werden Werke von und mit den KünstlerInnen der Assista Kreativwerkstätten, David Lipp, sowie Installationen von Sebastian Six. Musikalisch begleitet wird das Happening von dem oberösterreichischen Singer-Songwriter Bernhard Eder, dem Geiger Florian Sighartner und Multitalent Florian Grossmann.
Die Veranstaltung beginnt um 19:00 Uhr, der Eintritt ist frei.
www.assista.org
A Vocabulary of Noise | bb15, Linz/AT | 23. + 26.9.2017
Jan Adriaans, Bryony Gillard, Monique Hendriksen, Marie-Andrée Pellerin, FAXEN
In the framework of a group residency at bb15, Jan Adriaans (NL), Bryony Gillard (UK), Monique Hendriksen (NL), Marie-Andrée Pellerin (CA) and FAXEN collective (AT) develop a multi-event project in Linz that approaches the notion of noise and randomness on a conceptual level. Communication is considered as an interplay of pattern and randomness, a deterministic network infiltrated with errors, scratches and hiccups. These unpredictabilities shape the pattern again, in a constant process of adaptation. Noise keeps us from predicting the future. There is no blueprint we can draw conclusions from.
Public Working Session
September 23rd, starting at 14:00
Final Event
September 26th, 19:30
Volumes | Floating Sound Gallery, St. Petersburg/RU | 23.4.2017
The FAXEN piece „Volumes“ is presented in the Floating Sound Gallery in St. Petersburg on the 23th of April!!
More:
http://faxen-collective.net/
http://soundartgallery.ru/?p=1081
https://www.facebook.com/events/403888029971149/
True Blue News | Salzamt Linz/AT | 5.4.2017
A performative talk-discussion-news-broadcast-concert party thing with Utopic tones. Coming to a screen near you via DORFTV and LIVE! at the Salzamt, 19:30, 5th April 2017 from Sam Bunn, Davide Bevilacqua, Sebastian Six and Dave Perlis (USA) and Robert Storey (UK), a 13 part ‘Choir of the Future’ and various Citizens of the World.
PUREED NOISE SOUP | Concerts I 7.3.2017
Atsushi Tadokoro (JP), Gabriela Gordillo (MX), Sebastian Six (AT), Renick Bell (US/JP), Yen Tzu Chang (TW)
Puréed Noise Soup is a hybrid sound event, that involves a series of concerts, a workshop and an interactive installation, that puts together artists with different views of sound, which sources are data sets, live-coding, analogue and digital sounds, or electronic circuits. Observing the variety of this sound performances as if they were different tastes of ingredients, we want to present it as a process to make a puréed soup: all artists will provide different materials, that in the end, will be a unique sonic food for the audience.
Observing the sound performance as a tasting experience, an on-site installation, allows the audience to taste the ingredients themselves, and make their own mixes through interaction, as a first encounter with the sounds of each performer.
Concerts:
March 7th, BB15, Linz
March 16th, Signal Zirkus, Vienna
Facebook:
https://www.facebook.com/events/178238756000636/
https://www.facebook.com/events/654372854731147/
SIXBUS live at Offcity | Pardubice/CZ | 17.12.2016
I´m doing a little concert at the Offcity (not only) Christmas party .
Saturday 17th December 2016 18:00
10:00-16:00 GALLERY OF 1 HOUR
WHERE: plácek před sochou Rudoarmějce (here)
Vernissage of the project of Eliška Perglerová and Iveta Čermáková, crepes, tea, christmas punch and much more.
18:00-??? CLEAR TO LAND
WHERE: Automatic Mills (here)
Automatic Mills and their stunning athmosphere, friends, music, dinner, party, recapitulation of 2016, catalogue etc.
Line-up: Filip Jakš, SixBus (AT) and STRAND & friends (DE/AT): EP BACCALÀ release.
More on their webpage here: http://www.offcity.cz
Facebook event: https://www.facebook.com/events/1625630287729920/
sushi sounds | gruentaler9, Berlin/DE | 30.9.2016
I´m invited to bring a sushi cook and its materials to sound.
Sozusagen – a Performance & Installation by Marita Bullmann
Friday September 30
Performance at 7pm
Süpperclüb from 8pm
Performance & Installation by Marita Bullmann
Sound Art by Sebastian Six
Sushi by Frank Homeyer
More on their webpage here: http://www.gruentaler9.com/
facebook event: https://www.facebook.com/events/1625630287729920/
subnetAIR2015 Presentation | Schmiede, Hallein/AT | 21.9.2016
FAXEN got the subnetAIR residency 2015, so we’re now invited to present the work ON AIR on 21th of September at the Schmiede in Hallein.
A helium filled balloon equipped with microphones is used to create expansive field recordings of urban areas. This method allows the artist collective FAXEN to record multiple acoustic transitions between divergent areas in an urban environment. Sonic zoom-in and zoom- out movements that oscillate between subjective and objective points of view, between actual and abstract and between close by and far away. Arranged as a multi-channel sound installation ON AIR invites the listener to explore the diverse acoustic topography of a city.
More:
http://schmiede.tumblr.com/
http://schmiede.ca/
http://wordpress.subnet.at/
[H:UMMMM] | Hummelhofbad, Linz/AT | 9.4.2016
Sat, April 9th 2016, 15:00 – 22:00
Wellnessoase Hummelhof, Ramsauerstraße 12, Linz
[H:UMMMM] examines, elaborates and processes the functionality of sounds in modern spa/wellness zones in manifold ways. Interrelations between sound and social, medical, architectonic and artistic contexts will be investigated, discussed and analysed. These contexts will be examined in relation to sound studies and Michel Foucault’s concept of Human Geography.
[H:UMMMM] explores the ties and liaisons of artistic and academic approaches in a site-specific spa-centre heterotopia in Linz, Austria. This will take place on April 9th, 2016. By exchanging all audio sources of the bath, experiencing performances, installations and lectures the spa area of the wellness oasis Hummelhof is converted into an auditory spa/wellness heterotopia of a different kind.
The program:
Lectures by:
Karin Harrasser (AUT), Thomas Macho (AUT), David Toop (UK)
Concerts by:
Fennesz (AUT)
Abby Lee Tee (AUT)
Installations by:
Richard Eigner (AUT): Denoising
Faxen (AUT): In this momentary awareness I tried to tell myself …
Sun Obwegeser (AUT): IGLOOP – just fading out
Ingo Randolf (AUT): Muzak Architectures
Julia Tazreiter (AUT): Kabel im Regen
Clemens Bauder, Andreas Reichl, Andre Zogholy (AUT): without boats, dreams dry up
Clemens Bauder, Davide Bevilacqua, Andre Zogholy (AUT/IT): Atlas of Waves
Clemens Bauder, Andreas Reichl, Andre Zogholy (AUT): I am swimming in a pool
Audio feeds by:
Abby Lee Tee (AUT), Oren Ambarchi (AUS), Sam Auinger (AUT), Clemens Bauder & Ilpo Väisänen (AUT/FIN), Jeff Bridges (USA), Tanja Brüggemann-Stepien (AUT), Anthony Child (UK), deepseafishK (JUUN, Katharina Klement, Manon Liu Winter) (AUT), Richard Eigner (AUT), Christian Fennesz (AUT), Wolfgang Fuchs (AUT), Andreas Kurz (DE), Lena Leblhuber (AUT), Mimu Merz (AUT), Christina Nemec (AUT), Sarah Lipstate (USA), Julien Ottavi (FR), Billy Roisz (AUT), David Toop (UK), We Will Fail (PL)
[H:UMMMM] is a project by qujOchÖ, curated and organized by Clemens Bauder, Andreas Reichl and Andre Zogholy with a big help from a lot of friends.
MENU LABoratory | Hradec Králové/CZ | 31.3 – 2.4.2016
We (FAXEN) are invited to do another Version of our site specific Installation ON AIR at the Menu LABoratory Festival in Hradec Kralove/CZ from 31.03 to 03.04. 2016
I will play a little Concert as SixBus on the Opening Night!
More here:
http://menumusic.cz/
http://menumusic.cz/post/140517702806
(h)ear XL II | Heerlen/NL | 26.9 – 9.11.2014
(h)ear is a foundation which focusses on sound art and experimental music and makes effort to initiate dialogues with other art disciplines in order to create and stimulate. (h)ear organizes concerts, performances, workshops, lectures and curates exhibitions about sound art. Based in the Netherlands.
(h)ear is an art initiative located in Parkstad Limburg which in particular focuses on complementing existing cultural initiatives through sound art and experimental music. We promote sound art as an independent discipline initiating dialogue between other arts and existing initiatives. By providing (temporary) locations and platforms for live performances of (sound)artists we create the opportunity for various disciplines within the arts to connect and react. To achieve this we organise inovative performances, presentations, exhibitions and workshops by (sound)artists and curators, with the aim of stimulating the development and communication and debate within the arts. We don’t have a presentation space or ‚fixed‘ stage. Instead we use (temporary) sites, vacant buildings, project rooms at institutions and art centers, museums or public spaces, all clearly eligible for projects which (h)ear initiates.
INSTALLATIONS
Stefan Donchev (BG), Faxen (AT), Natasha Taylor (UK/NL), Tina Tonagel (DE), Baghdassarians/Baltschun (DE), Anja Erdmann (DE), Andreas Trobollowitsch (AT), Timo Kahlen (DE), Frans Roovers (NL), Andrew Bluff (AU), Zeno van den Broek (NL), Leo Bettinelli (AR), Simon Weins (DE), Mario van Horrik (NL) + Petra Dubac (NL), Esther Kokmeijer (NL) + Gerben Kokmeijer (NL)
VIDEOS
Jean Philippe Loridan (Pitch-Visualive) (FR), Jan M. Iversen (NO) + Tzesne (ES), Laura Focarazzo (AR), Julian Scordato (IT), Lisa Gervassi (MX), Mads Emil Nielsen (DK), João Ricardo | OCP (PT), Ginnetta Correli (BR), Alexander Senko (RU), Roberto Zanata (IT), Philippe Cavaleri (BE), Yiannis Kranidiotis (GR), Benna (IT)
AUDIO
Pablo Sanz (ES), Alan Dunn (UK), Russ Young (UK), Renata Roman (IT), Ivan Raph (BE), Michele Scariot aka No Dolby (IT), Sandrine Deumier (FR) + Philippe Lamy (FR), Francesc Marti (ES), Karin Senff (AU), Sunnstede (FR), David Prescott-Steed (AU)
PERFORMANCES
Joep Hinssen (NL), Leo Bettinelli (AR), Jos Smolders (NL), thisquietarmy (CA), Jan Kees Helms (NL), Post Mortem (NL), Red Stars Over Tokyo (BE), Ti Femme (USA/NL), Hellvete (BE), Janneke van der Putten (NL) & Christian Galarreta (PE)
More:
http://www.h-ear.org/2014/2014_08.html
testing the equipment | AFG#56 | Vienna/AT | 2.7.2013
„Can the material bear the sensation it upholds? And can the sensation stand upright, express itself, produce pure sensory qualities, through the material forms and forces it lays hold of?
Die Klanginstallation „Testing The Equipment“ ist ein konkreter akustischer sowie architektonischer Eingriff in die Räumlichkeiten des AfG und widmet sich im besonderen den vor Ort verbauten akustischen Deckenpaneelen. Diese universell eingesetzten Bauelemente sind Kennzeichen moderner Architektur und definieren seither maßgeblich die Akustik von Innenräumen wie Büros, Geschäftslokalen, Schulen, etc…Über das Entfernen einiger Deckenpaneele wird somit die Raumakustik des AfG manipuliert und der Blick in den darüberliegenden Hohlraum freigegeben. Die entnommenen Paneele dienen als Material zur Konstruktion zweier Lautsprecherboxen die jeweils ein rhythmisches Signal wiedergeben, welches die Raumresonanz auslotet.“ (Faxen)
Eine Ausstellung von und mit Faxen aus der Serie „/“ (sprich: shift-sieben) der Zehn-Finger-Abteilung des AfG.
AfG
Mühlfeldgasse 5
1020,Wien (Österreich)
More:
https://esel.at/
Faxen/May He Hetal? | mehr kanal #5, Linz/AT | 6.6.2011
keep an ear on | EX3, Firenze/IT | 20. – 22.5.2011
ALMOST IN PASSING | DogzStar, Istanbul/TR | 2.4.2010
